Archive for the ‘Art’ Category

Uppercase Magazine #5: The Synthetic Aesthetic

Glockenspiels, graphic patterns on Pyrex bakeware, the Work in Progress Society, cardboard sculpture, and foxes! Fine company for an article I wrote for the fifth issue of Uppercase Magazine – a visual survey of the design and aesthetics of DuPont’s marketing of synthetic fabrics from the 1920’s to the early 80’s. The history of the [...]

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Unsung Heroes of Advertising

UP THERE from Jon on Vimeo. Just a beautiful documentary by the good folks at Mother NY, in partnership with their client Stella Artois. It’s so nice when something like this gets made just because it should, and the agency and client both get it. Doesn’t need to be anything more than that.

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Shepard Fairey Mural at Awesome Dudes Printing

Our friend Nick Zegel had a chance encounter with Shepard Fairey in NY last Thursday. Next thing he knew he was back in Philly filming him and his crew installing a mural on the side of his friends print shop, Awesome Dudes Printing. Check out the video Nick shot and cut.

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America is Weird.

One of my favorite parts of living in Philadelphia is the odd mash-up of bougie-international-nerdy-hipster-eccentric characters that you can find in one place, at any given moment. I was reminded of this particular urban charm on Sunday, when a few of us decided to bike up to the Cherry Blossom Festival in Fairmount Park.  It [...]

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Whiz-bang!

I have a theory that books find you when they’re supposed to—even if you’re a little behind the curve of, say, society as a whole. I guess this is what happened to me a few months ago when I first picked up Michael Chabon’s Pulitzer Prize winning novel The Amazing Adventures of Kavalier and Clay, [...]

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Seductive Subversion: Women Pop Artists ’58 – ’68

Seductive Subversion: Women Pop Artists 1958 – 1968, on exhibit now at three gallery spaces at Philadelphia’s University of the Arts, is the first major exhibition of female Pop artists of the era. Its quite a reclamation project – planned over the course of four years, a majority of the work has not been shown [...]

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